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Streaming services, smartphones, and a thrashing political climate have diminished the primacy of movies. Conversely, things have been less stable or predictable in the United States. In the past few years, China has experienced unprecedented box office success. That is a rising tide lifting a sinking boat. The reason for that is clear: All data compiled from This sort of binational, multi-corporate, world-blanketing, blockbuster moviemaking plan is becoming de rigeur. The Great Wall was financed and produced as a collaboration among four enterprises: the U.S.-based, Chinese-owned Legendary Entertainment the Chinese-based production house Le Vision Pictures longtime American film producer Charles Roven’s company, Atlas Entertainment and the state-owned China Film Group. It is also, in its strange way, a perfect metaphor for how the American movie industry has acted toward China in recent times, like a rampaging beast questing for prosperity on the other side of the wall. This is, roughly, the story of the new movie The Great Wall, which was released stateside Friday.
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Manning the wall are hundreds of gifted soldiers - countrymen and women with extraordinary training, gymnastic ability, and an expert strategy. Behind the wall lies the imperial court of the Song dynasty, enormous wealth, and a new future. According to legend, these creatures - an unholy and cosmic manifestation of greed - are surging with a mission: to breach the last line of defense between the vast wilderness from whence they came and the lavish empire of China. It is shortly after the turn of the first millennium, and hurtling toward the Great Wall with a fury are several thousand green-skinned, green-blooded reptilian monsters. Thank you - kerry washington July 31, 2016 Fight the power, C! - shonda rhimes July 31, 2016 I love that she is not here for any foolishness.
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While her mentions are undoubtedly filled with landmines, celebrities have tweeted their support for Wu, including Shonda Rhimes, Daniel Dae Kim, and Kerry Washington: It's not about blame, It's about AWARENESS- Constance Wu July 30, 2016 Not blaming Damon, the studio, the Chinese financiers. Update: Wu tweeted that it wasn’t about “blame,” but rather “awareness”:įor the millionth time it's NOT abt blame. Why not TRY to be better? If white actors are forgiven for having a box office failure once in a while, why can’t a POC sometimes have one? And how COOL would it be if you were the movie that took the “risk” to make a POC as your hero, and you sold the shit out of it?!Ĭan we all at least agree that hero-bias & "but it's really hard to finance" are no longer excuses for racism? TRY /mvNet5PrtH- Constance Wu July 29, 2016 Think only a huge movie star can sell a movie? That that has NEVER been a total guarantee. (POC’s choices can be based on unconscious bias too) Remember it’s not about blaming individuals, which will only lead to soothing their lame “b-but I had good intentions! but…money!” microaggressive excuses.Īfter all, actors of color should have the chance to make box-office bombs - just like white ones! Money is the lamest excuse in the history of being human. And we’re rrrreally starting to get sick of you telling us, explicitly or implicitly, that we do.Īnd yes, that goes for the “money” argument, and blaming China: (If we don’t, we should) We don’t need you to save us from anything. We like our color and our culture and our own strengths and our own stories. When you consistently make movies like this, you ARE saying that. Rather, it’s about pointing out the repeatedly implied racist notion that white people are superior to POC and that POC need salvation from our own color via white strength. Care more, make it matter.” Wu isn’t about to let Hollywood executives off the hook: Wu told Vulture something similar about executives who say that they “try,” when she said, “ Boo fucking hoo, a lot of shit is hard. She doesn’t mince words when she says that Hollywood needs to step up and do better. Constance Wu Doesn’t Want to Be Your “It” Girl